Hinds adds another magnificent adaptation to his oeuvre ( King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic. Both women are fat Preet has white hair and light-brown skin Valissa has dark-brown skin and hair. The themes of change and acceptance elevate the story. Zabarsky’s soft, rounded linework and muted pastels make for cozy imagery, with adornments reminiscent of European folk art. This story challenges the concept of traditions and the impact they can have on the communities that uphold them. Before they can find their ways back to each other, they must unlearn what they’ve been taught and create alternative paths. Simultaneously, Valissa faces her own insecurities as she seeks the source of the mist.

She sails to unknown places in search of belonging. While she is away, Preet breaks a long-standing tradition and is cast out. When a child is knocked out by a mysterious mist during a class visit to the library, Preet is assigned to journey deep into the mist to investigate, but Valissa volunteers to go in her place even though she possesses no magic. Just as with the first Shaper and Shifter, who complemented one another, Preet and Valissa’s love makes each stronger. Preet, the village’s best Shaper, and Valissa, the bravest librarian, live on an island anchored by the tree that provided the seeds that grew into the first Shifter (someone who can change their appearance) and Shaper (a person who can form matter). A story of love: for oneself, others, and community.

Witchlight jessi zabarsky